Archive for September, 2012

Announcing Source Code Pro

Following again in the tradition of Adobe’s first open source font, Kenten Generic, the Adobe Type team announced today the release of their second open source typeface family, Source Code Pro. This monospaced typeface family was designed by our team’s own type designer Paul Hunt, who based the work on Source Sans Pro, Adobe’s first open source typeface family, released just last month. Six weights of Source Code Pro, along with its source files, can be download from the Open@Adobe portal on SourceForge, and for those who want to clone and fork the project, please refer to the GitHub location. The fonts are also available for Web use through Typekit, WebINK, and Google Web Fonts.

To learn more about the inspiration behind Source Code Pro, and how its design was adapted from Source Sans Pro, please refer to Paul Hunt’s Typblography article.

AFDKO Workflow Diagrams

One of the most useful bits of feedback that I received from my portion of the June 25, 2012 AFDKO Workshop was that I include workflow diagrams that visually explain how various tools and control files work together. While preparing to present the same material at ATypI Hong Kong 2012 on the afternoon of October 10, 2012, I spent last Friday and this week creating additional presentation slides that include such workflow diagrams.
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URO

The first set of ideographs to be encoded in Unicode (Version 1.1), which are referred to as CJK Unified Ideographs, are also referred to as the URO, which is an abbreviation for Unified Repertoire and Ordering. None of the other extensions are given this label. Extensions A through D have been standardized, and Extension E will soon be standardized. Only Extension A is in the BMP (Basic Multilingual Plane). Extension B and beyond are in Plane 2, which is called the SIP (Supplementary Ideographic Plane). What makes the URO special or unique?
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Details About The New AFDKO Version…

As I wrote earlier today on our sibling blog, Typblography, a new version of AFDKO was release earlier this month. I want to use this opportunity to point out some of the changes and enhancements that affect font developers who work with CID-keyed fonts. The details are buried in the detailed Release Notes that Read Roberts prepared.
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