Archive for October, 2012

Turning CID-Keyed Fonts Into OpenType Fonts Using AFDKO

日本語/English

10月10日水曜日、香港で開催されたATypI Hong Kong 2012にてAFDKOワークショプをおこないました。とても専門的な内容にもかかわらず、多くの方にご参加いただきありがとうございました。

3時間のワークショプの前半2時間は、Ken Lundeによる「Manipulating CID-Keyed Fonts Using AFDKO Tools」が行われ、後半1時間「Turning CID-Keyed Fonts Into OpenType Fonts Using AFDKO」を私が担当しました。
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Combining 3 Tools Into 1: glyph-list.pl

For those who make use of the extract-cids.pl, extract-gids.pl, or extract-names.pl tools, all of which are AFDKO tx tool filters and are included in AFDKO, and whose purpose is to list the glyphs in the specified font resource, I’d like to introduce a new tool, named glyph-list.pl, which combines their functionality, thus making font development simpler.
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Kazuraki: Under The Hood

I had the opportunity this morning to present at ATypI Hong Kong 2012 about Kazuraki, specifically the details about its OpenType implementation. Hence, the title of the presentation is Kazuraki: Under The Hood. The purpose of this article is simply to make the presentation available.

Manipulating CID-Keyed Fonts Using AFDKO Tools

Yesterday—meaning Wednesday, October 10th, 2012, Hong Kong Time (UTC+8)—I had the honor and privilege to present the first two hours of a three-hour ATypI Hong Kong 2012 workshop entitled Manipulating CID-Keyed Fonts Using AFDKO Tools. When I did a rough count, there were nearly 30 people in attendance. I’d like to use this opportunity to thank those who were able to attend, which meant that they made the effort to travel to this conference, and also chose to attend this workshop in lieu of attending presentations from the Typography & Reading and Typography & Culture tracks, or other concurrent workshops. I’d also like to provide to those who attended, and to those who were not able to attend, the presentation that I used to drive these two hours, which includes material that can be studied and referenced.

In addition to installing the latest-and-greatest version of AFDKO, the workshop attendees were also provide with the actual sample font data that I used to demonstrate the various workflows and techniques.

My hope is that these materials are useful to those who attended this workshop, and to those who were not able to do so. Enjoy!

Speaking of enjoy, that is what I plan to do for the remaining four days of this five-day conference. ☺

Next Week: ATypI Hong Kong 2012

ATypI Hong Kong 2012 takes place next week, starting on Wednesday, October 10th, and ending on Sunday, October 14th. I will be there for all five days, and very much look forward to meeting many people face-to-face, some for the first time.

I will be speaking twice. The first time will be on the afternoon of October 10th, for the first two hours of the three-hour Manipulating CID-keyed Fonts Using AFDKO Tools workshop. My colleague, Masataka HATTORI (服部正貴), will be speaking for the last hour of the workshop.

The second time will be on the morning of October 11th as a twenty-minute presentation entitled Kazuraki: Under The Hood that immediately follows another twenty-minute presentation by two colleagues from our Tokyo office, Taro YAMAMOTO (山本太郎) and Ryoko NISHIZUKA (西塚涼子), entitled Kazuraki: Its Art & Design.

I declared my presentations final this morning, and the materials for the workshop have been prepared and were provided to those who registered.

I am excited…